Introducing the System Design Exchange (SDE) standard: Revolutionizing how sound system designs are shared and noise predictions are made.
SDE provides a unified, free-to-use file format and calculation method, enabling accurate and easy noise simulations for outdoor entertainment events of any size.
Access and integrate the SDE standard without licensing fees.
Streamline the transfer of system designs between manufacturers' tools and environmental noise prediction software.
Achieve consistent and reliable noise predictions, even with complex multi-system events.
As outdoor events in urban areas continue to increase, effective and reliable noise management has become more important than ever. Yet predicting noise from large open-air events has long been a complex and inconsistent process.
The core issue was not a lack of expertise, but the workflow itself. When multiple sound system manufacturers were involved, different proprietary data formats and calculation approaches could come into play. While each system worked well within its own design environment, there was no standardized way to exchange a complete stage setup for environmental noise prediction. Engineers often had to work with multiple software tools, export and convert data, manually position sources in environmental noise software, and approximate directivities or spectra.
Beyond the data exchange, what was also missing was a consistent environmental acoustic calculation methodology that properly considered phase information and coherence effects. Traditional environmental noise models typically treat sources as incoherent. However, sound systems, especially line arrays and multiple arrays, are coherent sources where phase interactions significantly influence the resulting sound field. Without a physically consistent approach that integrates phase into the propagation calculation, results could vary considerably.
The workflow was therefore time-consuming and often frustrating. Every conversion step introduced potential errors. Phase information was frequently simplified or lost. Interactions between arrays were not fully represented. Calibration at front of house was especially problematic because far-field directivities were applied to near-field situations.
An additional challenge arose during the planning phase itself. Event planning is rarely static: layouts change, stage positions are adjusted, system configurations are optimized, regulatory constraints require modifications. Each of these changes often meant repeating the entire workflow: exporting data again, converting formats, redefining sources, recalibrating levels, and recalculating scenarios. What should have been an iterative optimization process became a repetitive and error-prone sequence of manual steps.
As a result, predictions could differ significantly depending on the chosen method, the assumed reference distance for directivity data, or the way sources were grouped. In some cases, differences of more than 10 dB occurred; not because physics changed, but because the methodology did.
For engineers, this created uncertainty. For authorities, it reduced comparability. And for event organizers, it made regulatory compliance more difficult to demonstrate.
This is where SDE comes in.
The SDE standard solves this problem by providing a common language for sound system design data. It defines:
Sound System 1 Data
export
Sound System 2 Data
export
import
import
The SDE standard solves this problem by providing a common language for sound system design data. It defines:
SDE requires environmental noise software to apply the Complex Directivity Point Source method (CDPS) with complex summation to model coherent sources correctly, including their phase. This is necessary to represent constructive and destructive interferences. Although complex summation is needed to respect phase between sources and source groups, decoherence factors are also needed to represent the smoothing effect of frequency band averaging and statistical fluctuations along the propagation path.
Frequency band averaging
Without complex summation, a calculation using only the center frequency of a frequency band can yield fair results (depending on the level distribution in that band). But with complex summation, the interference pattern changes drastically from mono-frequency to a band-average. To represent frequency band averages with CDPS, band averaging is a must. The SDE standard can exchange a variety of frequency band widths.
Statistical fluctuations
Over distance, the interference effects are weakened by statistical fluctuations in wind and temperature. Soundwaves from two sources typically do not cancel out each other over long distances, as they might in the audience area. These decoherence effects depend on frequency and source separation. The SDE methodology refers to earlier work in this field done by Stefan Feistel.
Calibration
To ensure a certain level in the audience area, SDE uses a calibration point in the audience area, a sum-level at that point, and an input-spectrum – the spectral distribution of an electric signal feeding the sound system.
The calibration point is defined in the system design software and saved in the SDE format. It’s typically positioned at the Front of House or another representative point in the audience (e.g. the loudest point).
The sum-level is entered by the user within the noise prediction software (typically A-weighted).
The input-spectrum has the advantage over an acoustic spectrum in the audience area in that it does not suffer from interference effects and is independent of the system’s “size”.
XML file with all source points and references to their data
OBJ graphic file to display loudspeakers
Directivity / balloons in efficient binary format
OBJ graphic file to display audience areas
SDE is committed to fostering collaboration and expanding its reach. Future development includes:
SDE is set to become the industry standard for sound system design and noise prediction. We invite third-party companies, including: